By Peter Cope
A realistic, available advisor to turning your strong photos into nice ones no matter if you're capturing at the newest electronic SLR or a digicam phone!
• detect a hundred easy and enjoyable how you can increase your photos either in-camera and during post-processing photograph manipulation.
• each key photographic style is roofed, from ideal pics and the good outdoor, to go back and forth photographs and taking pictures at night.
• packed with inspirational examples of significant images in comparison opposed to the extra general photographs, with effortless to stick to thoughts for the way you could in attaining an analogous results.
Whether you're an aspirational novice desirous to make your photos even higher, or an enthusiastic newbie who simply desires to produce extra fulfilling effects, 100 how you can Make solid pictures Great offers you invaluable expert information and strategies to take your images to the following point.
Read or Download 100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography PDF
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Extra info for 100 Ways to Make Good Photos Great: Tips & Techniques for Improving Your Digital Photography
In manual focus (MF) mode, you can also press the command dial to enlarge the currently selected frame. When zoomed-in, you can choose between two magnification levels by turning the command dial. Press and hold the command dial in MF mode to switch between the different manual focus assist modes: standard, focus peaking, and digital split image. During selection of an AF frame, you can press the command dial to reset the AF frame to its default size. By turning the command dial, you can change the size of the AF frame.
Fig. 18: Different live histograms showing overexposure (left), underexposure (right), and a balanced exposure (below) The histogram provides a technical representation of the live view simulation. Both the live view and the live histogram reflect the current JPEG settings of the camera (white balance, film simulation, color, highlight and shadow contrast). For example, the VELVIA film simulation will deliver more contrast than PROVIA, and this will be reflected in the live view and the live histogram.
RAWs contain image data that still has to be translated or processed into an actual image, either incamera or with external software. Every actual digital image (including the live view on the monitor, JPEGs from the camera, or TIFF files from Adobe Lightroom) is the result of such a translation. A diehard JPEG shooter who doesn’t keep RAW files has to settle for only one of the many possible translations of RAW data into an image, and it’s highly unlikely that the single JPEG from the camera is the best of all potential versions of the image.